Songs, page 2

'Dopey Joe'

The VU tries funk-rock, and it works. This is a
fine example of the 'stoner' rock that was hip in
the early '70's, like Ringo Starr's 'No No Song',
the Doors 'I'm Horny I'm Stoned', the Grateful
Dead, etc. The track starts out with a chugging
bass, then a jarring slice of guitar feedback before
the drums and bass roll into a very agreeable
funk rhythm. Yule's reggae-fried vocals and jazz
oriented guitar playing are accompanied by the
female vocalists who are spot-on, and this track
has to feature some of Paice's bluesiest
drumming aside from the later Purple album
"Come Taste The Band". It is fascinating to hear
the Velvets enter this kind of musical territory,
and the fact that they do it so well is incredible.

'Wordless'

The jazz influences bear fruit on 'Wordless'. A
very well-written and performed smooth
excursion into the same territory that Steely Dan
was just beginning to define that same year. Not
only has Doug established himself as a great
songwriter and singer, but his guitar work is also
quite impressive throughout "Squeeze", and
certainly interesting on 'Wordless'.

'She'll Make You Cry'

This is the re-recorded version of one of two
Yule songs the Yule-Morrison-Powers-Tucker
lineup recorded late in 1970 and went unissued.
It's good, reminiscent of 'Who Loves The Sun',
but 'She'll Make You Cry' is still the weakest
track on "Squeeze".

'Friends'

The second re-recording of the two 1970
unreleased Yule songs, 'Friends' is easily the
superior of the two. 'Friends' is, in fact, one of the
most hauntingly beautiful VU tracks ever, along
with 'Sunday Morning', 'Pale Blue Eyes' and
'Stephanie Says'. It's in that league. It's difficult
to understand why Atlantic didn't issue the two
original recordings of 'Friends' and "She'll Make
You Cry' back in late '70. Or why Polydor didn't
release these versions as a single. It would have
easily been the most successful VU single ever
as these tracks are very accessible.

'Send No Letter'

A return to the good-time rock of 'Little Jack', but
with a more nuanced dark side. A friend once
thought this was Creedence Clearwater Revival
with Tom Fogerty singing lead. Swampy to a
degree, raw and bluesy at the end...there is
everything to like about this track.

'Jack And Jane'

This is Doug Yule's prophetic repudiation to all
who would second-guess his decision to keep
the Velvet Underground going. Yule's writing is
particularly brilliant on this, possibly the greatest
track on "Squeeze", and one of the greatest VU
tracks ever. It is extremely pointed, and is every
bit as relevant now as it was in 1973 when 'Jack
And Jane' was released. A monstrous slab of
jazz-metal improvisation, with a very obvious
and very well executed message: if you don't like
Yule, too bad, he has never left the Velvets so
that's what he thinks of your opinion. And more.
By calling this song 'Jack And Jane' and
mentioning the pair early, Doug is ostensibly
making this a sequel to 'Sweet Jane', the Lou
Reed classic off of "Loaded". But it gets off to a
scathing start and maintains it's justified anger
to great effect throughout. 'Jack and Jane,
well they were quite insane, but did you think
that I'd really care' it starts. And it goes on
to say much more.

'Louise'

'Louise' ends "Squeeze" on a Beatlesque note,
a catchy but melancholy track that sounds like it
could be a "Wild Life" outtake from Paul
McCartney, reason enough to hold 'Louise'
in very high regard. Musically, the minimalist
approach takes you back to the early VU, but
melodically the Velvets are pop; Yule gives his
very best vocal performance on this song as
well. 'Louise' begins as a wry barroom shuffle
and ends with a bittersweet musical passage
that has all the hallmarks of a farewell. The final studio creation that the Velvet
Underground in all likelihood will ever release,
'Louise' ends the band's career with a sense of closure. I believe that Doug Yule knew this was it,
that this is where the Velvet Underground's
studio legacy was going to end.
The Velvet Underground would continue beyond
these sessions, for live work only.

Doug Yule




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